2015!

Looks like I didn’t manage to keep the blogging consistent for long, eh?

More and more my mind has wandered back to getting into the blogging game; I’ve got so much I want to talk about! Really!
So after a long hiatus I thought I’d put more effort into the layout and style of posts that I pop out. Add some beauty reviews into the post repertoire too and tastes like sugar water will have had a pleasant face lift. 🙂

Some new posts to expect once I get into a decent pattern of posting!

malebolgia

New indie gems (video games: Steam, app etc) you might not have heard of or might have missed. Including Malebolgia (Dark Souls with a minimalist twist), Alison’s Road (the new Silent Hill PT?) and Superbros: Sword and Sorcery (a soulful and artsy 8-bit app game with a female lead).

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The media you should be consuming right now, recent flicks, video games and music albums you should know about. Including Wolf Alice (like Chvrches but with a lot more rock), Mad Max: Fury Road (an explosive feminist action flick that everyone should see), and The Witcher 3 (an immersive epic fantasy game and the best next gen rpg).

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Books you should have read/know about. Including Red Rising (that has been picked up by Hollywood to turn into a film trilogy), The Handmaid’s Tale (a dystopian classic) and a few titles from my to-read list.

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Make up and Skincare products I’m currently trialling and would recommend. Including Andalou night repair cream, Organic saffron oil, and a few hyped products I want to take the plunge with, such as Etude’s sheet masks.

Right!
That’s enough blogging ambition for one evening I think 🙂

Artist spotlight: Luce-in-the-sky

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Cute, colourful and whimsical is how I’d describe Luce-in-the-sky’s style. Their work tends to revolve around the relationship between humans and animals. They’ve even drawn some Pokemon, and How to train your dragon fanart!
 Luce-in-the-sky’s deviantart page is still being updated.

Game spotlight: Journey

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I don’t think a game as simplistic in gameplay, but so complex in design and aesthetics has touched me quite so much as Thatgamecompany‘s Journey. Exclusively for the Playstation Network, Journey is an achingly beautiful and wonderfully scored game that manages to astonish, inspire and instill a sense of everlasting wonder in players.

Companionship plays a vital part as you make your own journey through sweeping sun-baked dunes to snow-capped mountainous heights, to reach a mysterious light on the distant horizon.

TheSixthAxis recently published a unique take on the game Journey, which I urge you to view here.

Journey is available on the PSN to download for a small sum. It also comes with The Unfinished Swan (also highly recommended!) in The Unfinished Bundle for around £10.

Artist spotlight: AJ Hateley

The Picture of Dorian Grey by AJ Hateley
Oscar Wilde’s The Picture of Dorian Grey book cover illustration by AJ Hateley

So I became aware of this hugely talented illustrator through the brilliant site/tumblog,
Supersonicelectronic.

AJ Hateley is a fellow Brit that studies illustration at university, and her work spans from awesome video game book cover illustrations to beautiful thought-provoking abstract pieces.

Her Tumblr || Official site || Deviantart (no longer updated)

Check her work out.
She’s amazingly talented and definitely could do with more recognition!

Artist spotlight: Jónsi

I was introduced to Jónsi (pronounced like “yawn-see”) through a transmission on This Is The Hive.net… and realised that this artist is actually the vocalist of the superb and influential icelandic post-rock group Sigur rós. You might already be slightly familiar with Sigur Rós, as their most well-known song Hippopola (rough translation: jumping in puddles) has featured in a trailer for the BBC’s Planet Earth documentary.

It’s obvious nature is a huge element of Jónsi’s debut album, Go, just looking upon his stage productions for the accompanying 2010 tour; his onstage persona is wrapped up in animal hides and tipped with feathers, completing his magical earthly presence.

The title track, Go Do, has a wonderfully whimsical music video, featuring Jónsi hanging out in an abandoned house and the woodlands in bizarre otherworldly attire.

One of my personal favourite tracks on the album, however, is the graceful Grow Till Tall, which demonstrates a very rare emotional depth that few artists can achieve today. Fantastic.

If you like what you’ve heard, go check out Jonsi’s album, Go, and also Sigur Rós’s extensive back catalogue. Only a Youtube search away ^^

Lastly, please support the artist in any way you can. 🙂

Musings on: Alexander (2004)

So last night I sat down and watched the promisingly epic flick Alexander, directed by Oliver Stone, the film clocks in at just under 3 hours serving as both a brave epic and a biographical account with a hollywood twist. The amount of a-list actors and actresses in this film is astounding; Collin Farrell takes the lead as the head-strong Macedonian Alexander The Great and Angelina Jolie as the venomous Olympias, Alexander’s mother. Anthony Hopkins narrates the epic, while Val Kilmer, Rosario Dawson and Jared Leto also clinch important roles.

It is unfortunate the star power supporting this ambitious project couldn’t protect it from the clans of critics, as Alexander (2004) scored a measly 16% on Rottentomatoes.com.

So what went wrong?

Well, to start the film is paced with a mediocre soundtrack, this became particularly apparent when watching one of the first battles in which the Macedonians faced against the Persians (which was a battle all too easily won/major historical inaccuracy right there!), it sounded like the background music to some mediocre action computer game, where the sound effects overpower the score. -___-

I know homosexuality was rife and widely accepted and encouraged amongst Greeks and this became a central criticism surrounding the film on its release. There were those who opposed the displays of homosexuality in the film and those who thought it was waaaaay too censored. And I have to agree with the latter, the most disappointing aspect of the film for me was that I expected sufficient screen time for Alexander and Hephaestions relationship to grow. Hephaestion was arguably, the only human being Alexander really loved, a childhood friend that meant everything to him and that he could not live without. And although the couple of key scenes they do get together are touching, I just find the whole matter was handled kind of sloppily. Idk, maybe it’s because I’m a Leto fan I was bitter about it, but when historians point to the evidence that Hephaestion was so fundamental in Alexanders conquests both in military terms and personal, his role really was cut down to a bare skeleton of how the man was depicted in historical texts.

Obviously there are plenty of historical inaccuracies, it’s difficult to condense Alexander The Great’s achievements and downfalls down into one feature length film, a lot of important detail was cut out and it is apparent that the story suffered because of this, lagging in places and not building up enough anticipation and excitement. What were those battle scenes? Especially the very first against the Persians? I was honestly kind of bored.

Oh yeah, and another thing is the controversy surrounding the portrayal of the Persians and Indians in the film… I don’t think I’m going to get into that, but yeah. Just, oh dear. -eye roll-

The acting was far from terrifically bad, each actor plays to their strengths in this film, but the direction left little to be desired. Maybe Stone needed to do a little more concrete research and summon true historians which have richer material, or maybe this film just shouldn’t have been made, regardless of who produced or directed it. The film is ambitious but altogether falls short of its expectations. I really didn’t feel emotionally invested enough in his life or the people around him, save for maybe the small exchanges between Alex and Hephaestion.

Wow, looking up at what I’ve written it sounds like I wished I’d never invested two hours and fifty five minutes into this film, it had it’s entertaining moments don’t get me wrong, but I mean, altogether it just wasn’t meaty enough for me I’m afraid. 😦

Musings on: True Grit (2010)

This film happened to creep up on me really fast,  I remember reading about the Oscar buzz circling this film and decided to investigate. True Grit, directed by the reliable and worthy Coen brothers, is a remake of the classic 1969 John Wayne Western. The film follows a young woman’s search for her father’s killer with the help of an alcoholic marshal and an egoistic Texan ranger, set largely against the unforgiving wasteland of the Indian Territory.

So I just really want to express a few quick thoughts on the cinematography and acting in True Grit, but be wary that there may be the odd spoiler in this little review of mine.

Now although I’ve never seen the original film, or read the material the films are based upon, some of the film’s cinematography was directed in such a way that there are moments where you feel like you’re watching one of those old John Wayne movies. Such as the black silhouettes of Mattie and her companions riding across the dry and dusty dunes, clear blue sky and sun beating down. And in true comic fashion, when Mattie ultimately takes her revenge and shoots Tom Chaney, he performs a little kick as he feels the bullet and flies over the edge of a cliff, a delayed reaction. Features like these made me appreciate the film even more than I already do, as a nod to the characteristics of the Western genre.

In terms of acting, for me there is little surprise that Hailee Steinfield has garnered as much attention as she has for her role as stubborn, sharp-witted Mattie Ross, and I’m sure she’ll have no problem clinching offers to star in bigger features now. I’ve been keeping up with news about The Hunger Games, based on the best-selling young adult dystopian series, and was aware that Hailee was actually in the running to star as the heroine, Katniss. However, this seems unlikely to happen now that Hailee has been cast in another young adult novel, scheduled for next year called Forgotten. Shame. She was definitely my favourite pick of the bunch. Hailee didn’t win the Oscar in the running for Best Supporting Actress (What’s up with that? supporting?), but she is still young yet, and to even be nominated is a huge feat in itself.

Moving on to Mr. Jeff Bridges, I can confidently say his portrayal of the marshal was definitely my favourite character of the film and actually made me become rather teary when the film’s end was  in sight and his character, Rooster took on a very fatherly role for Mattie in her time of need. However, he also provided plenty of comic relief throughout the film, which isn’t as all serious as we’re led to believe  as most western films were produced as back in the days of Mr. Wayne. His drunken banter, antics and attitude towards Mattie’s stubbornness made him a well-rounded and loved character,which makes me wonder if John Wayne in the original flick was just as interestingly entertaining and likewise, utterly convincing. I also didn’t realise Jeff Bridges was quite the photographer and stumbled across his website recently to my delight with some backstage shots of the cast and crew filming True Grit.

Matt Damon even pleasantly surprised me as the honourable Texan ranger, Leboeuf. His coolness and flexability in the film, (for example, when Ned’s gang ambush him) made me really admire his versatility and commitment to the role. Where as in his past films, such as the popular Bourne Identity series, Damon showed little autonomy in his role, and  in his other films I am familiar with Damon also appeared to have little presence and was more or less outshone by other members of the cast. However, Damon really comes into his own in True Grit. It has also come to my attention that a lineup of several films he stars in are coming out very shortly in the UK, the man is in very little need of work like now (just like Natalie Portman), because of his performance. Well done, Damon. I think you needed a role like this to prove to me you are a better actor than I thought you were.

Now usually only one, or even rarer, two performances in an Oscar presented film are recognised and given praise to. However, Jeff Bridges, Hailee Steinfield and Matt Damon all came through and pulled this film along with ease and really settled into the Wild West setting with familiarity. To the shining cast of the film, you certainly have True Grit.

Musings on: ‘Black Swan’

Black Swan poster
The poster designs for this film are positively gorgeous!

It’s been over a week since I went to see Aronofsky’s latest,and since then I’ve had some time to reflect on what I really thought about the film, especially regarding the fact that this film achieved immense hype.

The cinematography and costuming were rather wonderful.

To be expected from a classic film director, but I felt the way Nina performed and practiced her role juxtaposed against the handling of Nina’s journey into insanity appeared so fluid in its execution. It’s obvious real care was taken in ensuring the ballet scenes were as realistic as possible. Natalie Portman really put a lot of effort into perfecting her role, even with the heavy reliance of a body double. >>

As for the clothes, well, the dresses/gowns that Natalie got to wear for the performing scenes and the announcement party were nothing short of fantastical and seductively glamorous, lended from top designers no doubt!

It’s more experience, than movie.

Obviously given the material the film was born from, music is the main supporting act, if not solely the main feature entwined with the classic story of love and tragedy. I went away from the film feeling like the build up towards the end of the film was much like the epic reaches of musical notes, the note of finality accompanying the impacting ending. The last part of the film appeared to be at it’s strongest, as Nina’s destiny was revealed. However, much of the story-telling elements of a film was absent, because like Aronofsky’s The Wrestler or Requiem For A Dream, much care is taken in crafting the characters and their development throughout the films. Aronofsky’s narratives are almost always entirely character driven; as Black Swan chronicled Nina’s spiral into madness, my emotion in particular was that of sympathising with Nina in terms of the pressure of replacing and taking upon such a huge and iconic role in the realm of ballet.

I love Winona Ryder.

Yep, it just had to be said. She’s been a favourite actress of mine since my first viewing of Girl Interrupted and was PERFECTLY cast for her role as the bitter yet tragic Beth.

The key word here is visceral.

If you’re at all squeamish, not in the common horror movie sense but rather the kind of fear say… associated with needles, you might find some scenes rather uncomfortable to watch! As Thomas says in the film, “It’s very visceral, real”. I know I flinched at how clever they handled some of these moments, save for a dodgy piece of CGI. The close up shots, bright almost raw lighting and somewhat shaky handheld camera really contributed to the audience’s involvement in feeling Nina’s pain, in this instance very physical. You almost believed everything was real, almost.